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Tamron AF 28-75mm f/2.8 SP XR ZL Di LD Aspherical (IF) for Canon Digital SLR Cameras
Amazon.com Price: $499.00 (as of 2010-09-07 04:48:43 GMT) Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.
Product Description
Product Details
Video Reviews
Customer Reviews
First impression: the build quality is not as good as a Canon L series lens. Duh! It costs about 1/4 as much for goodness sake. This is a plastic lens - not metal. But I must admit that the build quality was pretty darn good. Better, I think, than the Sigma lenses I've seen. Fit and finish was very nice and tight. I'd give the build quality a 4/5. Not bad. I figured I could live with it.
Next, I put the lens on my camera. I'd read reviews complaining about the speed of the focusing. It may not be quite as quick as my 200 f2.8 L series lens but it was pretty darn good and for my purposes, plenty fast. A 4.5/5
I'd read reviews complaining about the noise and the fact that the AF was not USM. I thought the AF worked very quietly. Not at all distracting and barely discernable. Noise - not an issue.
Then, I took pictures with the lens and I was absolutely floored! How in the world did Tamron manage to produce a lens that performed so well optically for such a reasonable price?! Beautiful contrast, excellent resolution, gorgeous colors, and extremely sharp, particularly above f2.8. But, f2.8 is very good as well.
Obviously the first comparison that comes to mind is between this lens and the Canon 24-70 f2.8 L. I would say, I kid you not, that this lens is in every respect optically the equal of the Canon or better than the Canon. I could not believe it.
I tested this lens directly against a brand new copy of the Canon 24-70 f2.8L. Method: I tested both lenses on a tripod @ F 2.8 and 8.0 @ 28mm 50mm and 70mm. Target limestone wall 9.5 feet parallel to the sensor plane. Remote release employed. No mirror lockup. Center and all four corners were evaluated to my naked eye on a monitor using 100% crops. Both lenses were new copies received within the last 7 days.
The limestone wall lent itself perfectly to evaluating sharpness and subtle contrast and color rendition. There was enormous detail present in the wall with subtle colorations present.
Findings:
28MM F8: Tamron definitely sharper in the center and corners
28MM F2.8: Tamron definitely sharper in the center and corners
50MM F8: Tamron slightly sharper in the center and very slightly sharper in corners
50MM F2.8: Tamron slightly sharper in center and equal in corners.
70MM F2.8: Canon sharper in center and at corners. Incidentally noted was inability of Tamron to focus as sharply as I was able to achieve with manual focusing.
70MM F8: Tamron sharper in center with Canon slightly sharper in corners.
Some have said that there is less flare with the Canon, but if you use the lens hood that should not be a problem. I didn't notice excessive flare in my copy.
Admittedly there is significant copy to copy variation in both the Canon and the Tamron, but my findings convinced me that at 1/4 the price, and with the Tamron weighing 1 pound less than the Canon that the Tamron was the lens for me. Optically 5/5!!
I cannot recommend this lens highly enough. It is the first non-Canon lens I have owned and I am thrilled.
I scoured the internet for a lens that could be titled as the "King of the Walk around Lenses." Many lenses were nominated by photographers across the net. Lenses such as the Canon 17-40 f/4L, the Canon 17-85 IS USM, Sigma 18-50 f/2.8, the Canon 50mm f/1.8(Nifty Fifty), Canon 24-70 f/2.8L, Canon's 28-135mm IS USM, and much more. A good walk around lens must have versatility, which for me meant a decent zoom range. Something that a prime lens like the "oh so perfect" 50mm f/1.8 nifty fifty cannot satisfy.
Here I shall digress a little and talk about the nifty fifty. It's definitely a great lens, a lens that is extremely affordable, approx 80USD. It is outstanding in low light and again, it is CHEAP. Many people love this lens for its value per price, myself included. That is why that the 50mm f/1.8 was my very first lens besides the kit lens. I began using it all the time but always found myself stepping back, way back, in order to achieve a good composition of the subject at hand. This annoyed me a little and I decided to continue my search for the best walk around lens.
Back on topic now, versatility is important, zoom range is important. Something like the 17-85 IS USM, 28-135mm IS USM definitely interested me. These are definitely not as expensive as the other lenses out there, especially the L-line. I was holding back because the prices on the mentioned Canon lenses were still quite steep; they were as expensive as the camera body! I could not come to grip with a lens that costs as much as the body, here I would like to mention I'm new to SLR photography. Price was a major factor for me and the zoom range was important as well.
Along with zoom range, another aspect of versatility included the lens' ability to be useful for indoor or night photography. This is the reason why I bought the nifty fifty in the first place. I took more interest in the lenses that had a larger aperture; something about f/2.8 just screams sexiness to me. Well with these criteria in mind, I started to really look at the Canon 24-70 f/2.8L. This lens has received epic reviews from every photographer. Its built quality and its pictures are perplexingly amazing. My versatility requirement has been met at every angle. When I look at the price, my jaws dropped and suddenly this lens just became a lens beyond my reach.
As price is a huge factor in buying anything these days, the price of the Canon 24-70 f/2.8L scared me away. But through my meticulously investigation into the 24-70L lens, I came across a small group of people who had found an alternative.
That alternative is what I am really reviewing here: the Tamron 28-75 f/2.8.
Advantages of this lens are the best part. This lens is incredibly versatile, good zoom range, great for low lighting shots. It was the perfect alternative to the beloved Canon 24-70L. The major factor that really pushed me into buying this Tamron was the price. It was a HUGE bargain. The Canon sells for more than a thousand dollars while this Tamron is in the very reachable range of 350USD.
Now there are only a few sample images by fellow amazonites so I was hesitant in believing what others were saying about the quality of the pictures. And there weren't many in depth review on this lens either. I also heard this lens has to seek focus for an image in low lighting areas. I took the plunge and bought this lens anyways.
To my surprise, this lens is tremendously useful. The 28mm is decent enough for landscape. The other end at 75mm is quite good for portraits or just typical zoom images. My pictures were very sharp comparing to the kit lens and the nifty fifty. I have taken pictures indoor during a cloudy morning, indoor night time with halogen lights in the room, outdoor nature, and outdoor people. This lens produces exceedingly sharp pictures.
The constant f/2.8 was the best part. I can shoot rather well in low light. For some ridiculous reason, I walked into a national park as the sun was setting, so when I was a mile in, it was already dark. My Tamron was able to still take pictures at ISO speeds of 800 and I thought, "Wow, I couldn't do this with my other lenses." With that said, there is one minor annoyance. This is not a USM obviously, so it does take a little bit of time searching for that focus. In extreme low lighting, like that of a hike after the sun has set, it was impossible for me to obtain autofocus. I guess this is true for all lenses so it is not that big of a problem here.
The Tamron's build quality is quite sturdy. This lens was very strong from when I was playing with it. The 28-75mm is much heavier than the kit lens I received with the 350D so I was still getting used to it. When this lens sits in my 350D body, I couldn't really hold the camera if my hands were only on the camera. I needed to place my left hand on the barrel of the lens in order for a good feel. Mounting this combination onto a light weight tripod gave me moments of fear. The top of the tripod would start tipping forward. When I tilted my camera vertically on the tripod, the tripod tipped to the left. Of course adding weights to the tripod solved the problem but be warned that this is a real lens that has a good weight to it.
Comparing to the Canon 24-70L lens, which weighs twice as much and cost three times as much, this Tamron is a steal! Even though this lens is not that well known, I love its ability to compete with the 24-70L. I especially love the price of this incredible lens. For those that are hesitant to buy this lens, please don't be. It's an excellent lens with good quality.
To sum it all up, the price, the zoom range, the large aperture, the built quality, and again the price make this lens the best "bang for the buck" lens for a Canon SLR. I love the ability to just take photos in any situation while producing sharp pictures. This lens claims the title "King of the Walk Around Lenses" in my book. And last but not least, a good walk around lens will definitely encounter battle scars so the low cost of this lens would not take a week's worth of pay to buy another one. Two thumbs up, five stars, top 10 rating from me.
I am sorry if this review was too long, I just love this lens.
Update(2006-07-12):
Just came back from a 40 day backpacking trip through Europe. I brought this lens with me along with Canon 50mm f/1.8. The whole time, I only used the Tamron. It was heavy to be strapping the 350D around my neck walking around in 85F heat but i managed.
The lens performed commendably! It was truly a great walk around lens because when you're out, you're going to be out all day. So from morning to night, my lens was able to capture every moment I wanted to remember. Though I did find myself saying "I wish I had a wide angle lens" almost everytime I visited a museum or a church, I still recommend this Tamron whole heartedly.
After my long trip, I have learned that no single lens can truly claim to be everything you need, but with this Tamron, you'd have a blast with its sharp pictures! When I was in museums and churches, people were flashing about with their cameras while I took all my photos with my amazing 2.8 aperture so no flash was neccessary, capturing the true lighting on the subjects. People were just amazed and asked "Wow, you don't need a flash?"
Hope I can update every one out there with my experience on the Tamron 28-75mm f/2.8
Update 12/13/07: 1 year later......
The lens is great, I did a lot of portrait shots over the year and with the 2.8, it made the subject stand out from the background. But I guess I'm still a beginner at photography. I looked back at some photos and realized my portrait style cannot be applied to taking photos of objects. Extending the focal range, I had tried to capture a car from a distance but my shaky hands and the f/2.8 made everything blurry! I have to review my basics and use a smaller aperture.
Still a great lens, for its price, it's definitely unbeatable.
I have now added a Canon 10-22mm to my collection, which is extremely fun to play with.
UPDATE 4/28/2010: 4 years later!!!!!!!!!!!!!!!!!!
OMG can you believe I'm updating this review 4 years later? Well it's because I LOVE this lens!!!!! I've shot a lot in the past 4 years with this lens, and I've grown into loving portrait photography even more. This lens is AMAZING performing portraits, great depth of field with the 2.8 at 75mm. I usually turn up the f-stop to 3.5 or so, 75mm, lower EV -1, and shoot in raw so I can edit the brighten up the photo later on in photoshop. The lens is still very sturdy, I've traveled to Ecuador, Hong Kong, South Korea, and throughout the US since then.
This lens was so cheap back then, now it's about $440.. wow... what happened?!
After a while, I started leaning toward the 28-105 f/3.5-4.5. However, although I got close to purchasing one several times, I just couldn't pull the trigger. It seemed good enough, but I just wasn't convinced. Then just by accident, I read a review of the Tamron. The review went on and on about the performance and sharpness of the lens. I thought it was all just hot air. Then I saw a second review that stated the same thing. I became intrigued. I started my research. I went to several different sources and a clear picture began to emerge: this is a lens that a lot of people really like. This is a lens that consistently gets compared to my beloved 24-70L, and consistently holds its own--or even out performs it. At first I thought it unfair to compare it to the 24-70L, but then I saw sample images. I saw sharpness tests. I was impressed.
So I took the plunge, and I'm so glad I did. As soon as it arrived, the first thing I noticed was that it did not feel like a cheap lens. I had expected it to be feather-light and almost flimsy. Instead, it feel substantial. It also came with a lens hood.
I threw it on my 400D and fired off some shots and took a look. I was very happy with the results. The color reproduction was great. And so was the sharpness. Just for my own edification, I set up my tripod and made some test shots with the Tamron and then the same shots with the 24-70L. The first go 'round was done at f/5.6. I made exposures at 28mm, 35mm, 50mm, and 70mm with each camera. I had a friend rename the files so I wouldn't know which shots came from which camera, so I couldn't claim bias either way. I then examined the shots. It didn't take nit-picky scrutiny to see the differences. After I selected the photos I found to be sharper in each group, my friend gave me the exif data on each one.
Here is what I found:
First Impression--At 25% magnification on my screen, all the photos looked fantastic. This puzzled me because I figured I'd be able to spot the 24-70L right away. I really couldn't tell the difference.
Then I zoomed in to 100% and the fun really began.
28mm--The difference in sharpness was very pronounced at this focal length. One photo was the clear winner, and that was the Tamron, particularly in center sharpness.
35mm--Again, one of the photos was a clear winner, and again it was the Tamron.
50mm--For the third time, the Tamron's sharpness outperformed the Canon. I was beginning to really develop an affinity for this little baby.
70mm--At this length, the photos were pretty comparable. I picked one, however, and, to my surprise, it was the Tamron once again.
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After these tests I felt like a heretic. I had preferred the Tamron lens over the Canon in each trial. Granted, there are more I need to do, from wide open to fully stopped down. But this initial test has made me very happy.
I have seen no evidence of CA so far, and given Tamron's claims, I would have been surprised if I had.
The AF is a touch on the loud side (no USM), but it works well and is accurate. A bit of noise from the AF is nothing to complain about when one sees the results in the photos.
It's not weather sealed like the 24-70L, but that is not as important to me as to someone who is out in extreme weather with some regularity.
Finally, given the fact that this lens is just a third of the price of the 24-70L, and given that I am so impressed with the results, I'd have to say this is one of the better purchases I've made in a long, long time.
I know all Tamron lenses do not perform this admirably, just like all Canons are not "L" class. However, I will certainly add them to my research when I have a new need for a lens.
If you are looking for a solid lens to cover most of your subjects (from telephoto to portraits to some strikingly sharp up-close Macro shots), and be able to leave it on the camera without much hassle, this is the lens for you. As far as image quality goes, this lens is comparable to the much much pricier Canon 24-70L series, and furthermore, it is smaller and lighter than the L-Series.
I was skeptical at first about buying any third party lens, and i still am, but this specific lens speaks for itself. The lens speed was the final straw in my decision... at f/2.8 this lens is quite a bit faster than the Canon 24-85 (f/3.5-4.5); and it comes with the Tamron 6-Year warranty. I bought this lens for $399 and it was worth every penny.
If you are looking in the long range for setting yourself up with a multi-lens system, this lens fits quite well without much overlap with other high quality lens. I plan on getting a Canon 50mm (f/1.4) for fast portraits, a Canon 50mm Macro for super close shots, and the Canon 70-200L for longer range shots to round out my ability to shoot a variety of subjects. The only overlap with the Tamron 28-75 is the 70-75 range which is nonconsequential to me. Hope this was helpful.
I was researching the Canon 28-135 and this the Tamron 28-75. I had taken a look at both of them in-person at my local camera shop. The build quality of the Canon did seem a bit better but the Tamron by no means is a pig when it comes to quality of craftsmanship. So after taking a look at both of these lenses, I decided on the Tamron and I content with the purchase.
The good:
1. Nice build quality
2. Not too heavy
3. Has a zoom lock
4. 2.8 throughout focal range although it seems as though mine is not as sharp at 2.8 vs the slower speeds but this is to be expected.
5. Tamron rebate came super quick
6. 6 YEAR warranty
7. Included a petal shaped hood
8. Metal mount
9. Overall nice focal range (would have preferred a bit longer, but this will do just fine for the moment)
10. Amazon had it in stock, free shipping and no tax
The bad:
1. At 2.8 doesnt seem as sharp as it possibly can, but this can be remedied by sending it to Tamron for calibrating (hey i have 6 years to send it back)
2. Nothing else!
Overall I really enjoy this lens. Ever since I got this lens, I do not use my kit lens at all. Focusing is pretty quick and spot on. Some complain of the lens being loud, but to tell you the truth, its not loud at all but not super silent either. I am happy about this purchase and will continue using this lens as my main walk-around lens. Perhaps later, I will send it back to Tamron for calibration, but overall is a really nice lens at a even better price.
Hope this helps.
Very sharp images at 2.8, through out the zoom range. I even took a portrait with this lens at 65-70mm 1/250 @ 2.8, ISO 400 with my EOS 3 (35mm)...one of the best portraits I've taken. Incidentally, this is the first photograph I clicked with this lens and I have to admit that I am floored. Honestly, I am toying with the idea of buying one more for my 20D.
Gorgeous background blur, which is one of the factors that impressed me the most and the DoF is good enough to focus the subject completely. I like to focus on the subject's eye and have enough DoF to cover the entire body (depth) of the subject rather than blurring out any part of the body. This lens serves the purpose and would give the portrait a really professional feel.
The other factor that impressed me is the minimum focusing distance - I took some macro shots in a tide pool in Point Loma / San Diego and I am thoroughly impressed with the sharpness @ 2.8 as well as the distance. I think I went as close as 7-8 inches ( did not measure, as seen by my friend) and was happy with that too.
In short, if you are toying with the idea of buying the 24-70 2.8L (which was the case with me) and want to leave that for an upgrade, you wont regret buying this lens. I think I will wait for the Canon 1-2-3 rebate for the 24-70 2.8 and will still keep this lens as a part of my kit.
5 stars, must buy!
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UPDATE ON 17 MAR 2007
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Decided to go for an upgrade to Canon 24-70 f/2.8L and conducted amateurish tests side by side at various focal lengths and apertures, all else being the same. Ended up returning the Canon and decided to keep the Tamron. The Canon was certainly a good copy, tacccckkkk sharp, but couldnt beat the sharpness out of the Tamron. The Tamron came out much sharper across wide open apertures (centers & edges, as examined by the naked eye at 100% image size) and equal sharpness between the two lenses at f/8 and above. Stunning image quality in both, the Canon locked the exposure much more consistently than the Tamron (which moved a half a stop or so while trying to focus). The only two areas where Canon beat Tamron was
(1) Canon focussed silently and much more smoothly compared to the Tamron
(2) Build quality, Canon is really built like a tank, cant think of any other word. Tamron feels cheap and plasticky when compared to the Canon.
Finally, I didnt feel like I was getting much value for $800 more, as my Tamron was already giving superior, TACK sharp image quality. However, for 1/3rd the price, 1/3rd the weight, I decided it was too pricy and upgrade and returned the Canon. Go Tamron!
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Update on 23 Nov 2007
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Almost 2 years with this lens, couldnt be more satisfied. this lens has never failed me during multiple trips in extreme conditions of heat, cold and extreme (S California wild fire) winds. No dust or other issues.
I did notice that images were soft after f/16 due to diffraction, but I do not think that is the lens' fault. Images at f/22 and f/32 are very soft and unacceptable for professional prints or enlargements above 8x10 when shot at 8MP (20D), but that was more my fidgeting to see what happens at those apertures. I almost never use anything narrower than f/13, so it doesnt concern me. Overall, very satisfied with this purchase, this one is a keeper even if I buy the 24-105L or 24-70L.
For the price, you can get other canon or non-canon consumer grade lenses that may have a bit more 'reach' than the 75mm reach of this lens, BUT, they have either much slower lenses (harder to take low light situations without a tripod) or even with image stabilization (that this one doesn't have) or the image quality is far less.
You will be VERY surprised with the quality of this lens. I have never been one to blindly buy a lens just because it is a Canon lens. Even some of the "L" lenses are easily comparable to the off-brand sigma or tamrons.
Used with a Canon 20D, I'm pleased to report that the Tamron produces very good results in a wide range of shooting conditions. The lens is well-built, relatively light, and comes with a small lens hood. Auto focusing is sharp, fairly fast for most applications, and relatively quiet. In lower light situations, the Tamron replaces Canon's 28-105mm IS as my general-purpose lens.
There are reports that some of these lenses have focusing issues. Another comment is that the auto-focus is slow, which may be true, particularly when flash is not used. The lens does not produce the greatest results shooting basketball in a gym, or in a variable low light situation, such as a rock concert in a club. However in most normal situations, performance is excellent. If you need an F2.8 zoom in this range, do yourself a big favor and give this excellent value due consideration. In addition, Tamron is very efficient at processing rebates.
I'm glad I bought the Tamron, because for the money it's an excellent lens.
I use the 28-75 as my primary lens as it's great for portraiture and general photography.
I love the contrast, color rendition and flatness to the edge of the frame. I've worked with Canon lenses, but for some reason the look, feel and the results of the Tamron really taps into my photographic gestalt.
If your thinking of going for the Tamron 28-75, I'd say go for it with no reservation.
-- Terry
Comparisons:
28mm:
The Tamron has usable sharpness wide open at f2.8 but gets super sharp in one stop down to f4 and slightly better by f5.6. It is just as sharp in the middle as my excellent Canon 24-105 when wide-open at f4 but not as sharp near the edges on the 5D. At f5.6 both lenses are essentially equal over the whole full-frame on the 5D. At 28mm on the XT the Tamron sharpness greatly exceeds the Canon 17-85 lens at f4.5, 5.6 and f8 over the whole frame. The Canon lens is not soft, but the Tamron is just eye-popping sharp.
50mm:
Sharpness of the Tamron at f2.8 is less than at 28mm but still usable on smaller prints (maybe 8x10). Sharpness increases greatly by f4 and is almost as sharp as the wide-open Canon 24-105. Again, at f5.6 both lenses are essentially equal over the whole full-frame of the 5D. Comparing to the Canon 17-85 on the XT, the Tamron is slightly sharper at f5.6 and gets sharper still at f8 over the whole cropped frame.
75mm:
Here the f2.8 is quite soft in my opinion (maybe ok for a 4x6) but gets much sharper at f4. At f4 the Canon 24-104 is still definitely sharper but gets only slightly sharper at f5.6 while the Tamron gets significantly sharper, almost matching the Canon L-lens. At f8, the Tamron equals (maybe a tad better) the Canon sharpness. My copy of the 17-85 is strongest at the long end. At 75mm f5.6 it matches the Tamron sharpness and contrast but does not improve as much by f8 where the Tamron sharpness pulls away.
Overall, the Tamron appears to be an outstanding lens for either full-frame or cropped-frame (if you don't need wide angle). It does not have IS but does have a usable and fast f2.8 at the wide end. It becomes very sharp by f4 for 28mm, by f5.6 for 50mm and by f8 for 75mm.
I suspect that the Tamron is similar or better in performance to the Canon 24-70 L which weighs twice as much and costs 3 times as much. The Tamron matches the 24-105 across a full-frame when both are stopped down a little. The Tamron is about the same size as the Canon 17-85mm lens, costs about $200 less, but seems to have superior optical qualities, especially at 28-50mm. It also provides the f2.8 option for increasing shutter speed to freeze motion. The 17-85 is much slower (f4 to f5.6) but gets wider and slightly longer and has IS for static scenes in low light. It's a tough choice which depends on the camera and intended usage.
Tags: 2875mm • aspherical • cameras • canon • digital • f2.8 • tamron